Not sure about this one, I did better with getting most of the figure drawn but really those hands should be in there. Again, the time limit is causing a bit of an issue, I might have to rethink the type of drawing I'm doing in 1.5 hours. I'm rushing to get to the tonal stage and I'd like to be taking a little more time over this. The measuring is getting better though, I think here I may be slightly out: it is definitely starting to click though. That cast shadow over the shoulder is still a problem area and this week I tried putting in the shadow lines with compressed charcoal to make them a little bit more permanent. Not sure if I'll do that again as compressed charcoal can be quite severe and you have to be careful that the drawing doesn't go dark too early as it has here.
As much as I appreciate how difficult a life model' s job is, these guys absolutely love bolt upright long poses and I think that's one of the issues I have with this. The pose is just so darn dull and every week it is similar. It's all practice and on a brighter note the upright pose is good for proportions but still, maybe if I was a better artist I could have enhanced it a little with a bit of a twist or something.
I've been looking at a lot of Dean Keller recently, that great line quality he has with charcoal. I really love his drawings. Thinking about moving away from the rough newsprint, it holds the charcoal nicely but isn't so good when you start into tone- at least not with my haphazard method.
The regular classes are great though, I come away with so many ideas for things to try the next week. So it's all good :)
Saturday, 17 November 2012
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1 comment:
I can really see where you're going with these new drawings. They're strong, look like there's no lucky accident involved, just skill and practice.
Tough to get everything right even in a longish pose and if its a longish, dull pose the mind wanders...
Great to see you're back to regular posting too.
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